Thursday, December 13, 2012

A Blog-Tag Interview on "Bury Me In A Nameless Grave." And A Sliver Of News.


Apparently I am involved in an interview blog tag. So here is a series of form questions I received about the collection of short stories I am about to start shopping out, Bury Me In A Nameless Grave: A Collection Of 11, and the subsequent answers.

And one sliver of news: My tale Trials, and the poem Queen Cobra, will both be appearing in the print only magazine Affraid Of The Basement, Issue #1, coming early 2013. More info posted as I get it.

Thanks for reading.

BLOG-TAG INTERVIEW

1) What is the working title of your next book?

Bury Me In A Nameless Grave: A Collection of 11.

2) Where did the idea come from for the book?

It came from a myriad of strange and dark places, many of which I've been to on some psychological level, and all of which you would never want to go.

3) What genre does your book fall under?

It has been referred to as transgressive and occasionally "cutting edge" horror. With some erotica and occasionally gallows humor thrown into the mix for good measure.

4) Which actors would you choose to play your characters in a movie rendition?

I've never really considered it.

5) What is the one-sentence synopsis of your book?

It will contain eleven tales of the bizarre and the bittersweet, the madness of broken souls, bad love, and the beasts within men.

6) Will your book be self-published or represented by an agency?

I will be shopping it out to a publisher.

7) How long did it take you to write the first draft of your manuscript?

These are stories both previously printed and new, that I have culled together over the past four years.

8) What other books would you compare this story to within your genre?

I've been told that comparisons can not easily be made between my stuff and the works of others. Some have compared it to aspects of Edward Lee, Jack Ketchum, early Clive Barker, William S. Burroughs, and M. Gira's book The Consumer. Honestly, I'm not big on the comparison thing.

9) Who or what inspired you to write this book?

The incredibly strange and surreal life that I have lived thus far, which does not seem to be altering from that course anytime soon. Also, at the urging of some friends and fans, and to one in particular who shall remain nameless. They know who they are.

10) What else about your book might pique the reader’s interest?

It can be both brutal and occasionally touching, gut-wrenching, and is sure to leave you with ideas, imagery, and emotion that you won't soon be able to shake.


---As per the agreement (geez, that sounds kinda sinister) of this blog tag, here are some other fine writers whom you should all check out a.s.a.p.---

Scott M. Baker (host of the blog tag)
http://scottmbakerauthor.blogspot.com/

Maxine Xaviera

Thursday, December 6, 2012

Actual updates? News? Krampus turds?

Greetings all.

As the vile stink of the Christmas season permeates absolutely everything around us for the next month or so, and varied forms of true misery seem to be creeping in everywhere, it appears I have some news. Yes, an actual blog update. Like turds under the tree from the Krampus himself . . . gifts.

Firstly, come the new year (barring there isn't some hideous pole shift or something that pulls all of our innards fully and outwardly up through our gullet, throat, then mouth, leaving a steaming pile of guts at our quaking and disoriented feet) I have several tales in the works of being published. More info will follow upon their releases.

CORPSeX: A Method Of Love will be appearing in the 3rd issue of [Nameless] Magazine come early 2013. http://namelessmag.jasunni.com/

Plasmatick will be appearing in the wonderful Infernal Ink 3, to be released in April 2013. http://hydramstar.com/Infernal_Ink.html

A Poisoned Idea will be appearing in Infernal Ink 4, to be released in July 2013. http://hydramstar.com/Infernal_Ink.html

As for other news.

I have recently been hired by horror historian/fanatic and occasional Fangoria contributor Gorehound Mike to do reviews for his page Gorehound Mike's Weird Cinema Blog. I'll be doing two reviews a week, appearing on Mondays and Fridays. Come by, check it out, it's a good time. Gorehound Mike knows his stuff (and so do I, hence the position). I'm honored to have been asked aboard and look forward to "enlightening" you all as to my jaded (and often cantankerous) opinions on our beloved genre. http://gorehoundmike.blogspot.com/

Last but not least, I got word today that a particular top secret project that has been a while in the running (and which I have remained absolutely mum about) has reached a next stage in its possible fruition/developement. Fingers crossed, people. I would love to divulge a little more, but swore under threat of a forced needle-shot urethral leprosy infection that I wouldn't. The words "you'll have to sleep sometime" have never sounded so frightening, trust me.

So, yeah, news. I'll have more specifics as things progress all around.

2013 can only be better than 2012.

Which I will post a virulent rant about, perhaps come closer to the new year. Or just after. Who knows.

Thanks for reading, please join if so inclined.

STAY SICK,

Vincent D.

Wednesday, November 14, 2012

Book Review: THE DARK IS LIGHT ENOUGH FOR ME by John Claude Smith

I have been a fan of the writing of John Claude Smith since I first came across his work through an anthology we appeared in together (Heavy Metal Horror, published by Rymfire eBooks) a little over three years ago. My contribution was titled "Invocations To Death's Black Kiss". It was my first published piece, under the name Vince D. (Yeah, that was a shameless plug -- so what). John Claude Smith's was called "Headbangin'". I found his tale to be the most unique one in the book, something about the way it was written and presented really stood out. And it also seemed this fellow knew his stuff about music as well!

Anyway, I decided to friend the gent up on facebook, and continued to follow his work over the next couple of years. Our stories even appeared a couple more times together within the pages of the FREEZINE Of Fantasy And Science Fiction. So when I found out JC was releasing a collection of his short works, I was more than ecstatic.

The Dark Is Light Enough For Me (Martin Brown Publishing, 2011) contains twelve tales of heartbreak and resilience, of sublimation and destruction. John writes with depth and philosophy, a genuine love and passion for the fine art of the weird tale, knowing both when to hold back and when to kick it into overdrive. With synesthetic sweeps of his unrelenting and no-holds-barred prose, the true potency lies within the flawed and wholly identifiable characters he creates (and some of whom which may even create themselves). Their psychological idiosyncracies bring our lead characters into touch with all the ugly on both the inside and the out, creating complex and soul shattering confrontations within the headspace of their world from which there is no escape.

Most of the stories involve love and loss, obsession and redemption (or more appropriately the lack thereof). Rampaging ids, punishment of self and others, hurt and deceit, soul (and soulmate) death, long lost love growing even moreso, guilt. The intense and true fear in the uncertainty of knowing. Make no mistake about it, this is not light reading. This is balls-out, confrontational transgressive horror in its finest form.

Pieces like "Black Wings", "The Perceptive One" and "The Dark Is Light Enough For Me" are all psychological sucker-punch delights that bury themselves especially deep in the nooks and crannies of your grey matter, refusing to let the darkened tenacious grip release as you process what you have just subjected yourself too. I was haunted for days on end after reading many of the stories locked away within this tome.

The only tale that seemed to elude me was "Gladiatrix". While not a bad piece by any means, I just feel that it didn't flow well with the rest of the tales in the book. Without giving anything away, it's more of an actioner. By no means is it any lighter than the rest of the book, but it just really didn't pack the same philosophical punch. It's also, I believe, the shortest piece in the book, and again, not a bad story.

With all that said, John Claude Smith's The Dark Is Light Enough For Me is a superb read for the thinking fan of horror/transgressive lit. This book is a must have, that's all there is to it. Seriously, this comes with my highest recommendation and you will not be disappointed, I can guarantee you that.

It is available in both Kindle and print formats. I have mine in print and it looks great. Below are links to purchase the book on Amazon, as well as links to John Claude Smith himself.

To purchase The Dark Is Light Enough For Me:

http://www.amazon.com/Dark-Light-Enough-Me/dp/1937070107/ref=sr_1_1?s=books&ie=UTF8&qid=1352912591&sr=1-1&keywords=john+claude+smith

John Claude Smith's blog The Wilderness Within

http://thewildernesswithinbyjohnclaudesmith.blogspot.com/

John Claude Smith on Facebook

http://www.facebook.com/#!/jcsmith0919





Wednesday, October 31, 2012

FREE New Halloween Fiction

A little something I cooked up for the holiday. I will most likely be taking it down at some point in November, so read now and enjoy. Be safe in whatever evil you may commit tonight.

Happy Halloween!

                                                    SEE YOU NEXT YEAR, MY LOVE

Halloween had always been a sacred, splendid time for Old Man Richter, especially before his beloved wife Arazella had passed away. Instead, now, the autumnal season clung to him like cold and wet late November leaves. The memories often clogged his throat with a stifled and suffocating agony, filling his limbs with a series of painful skin-tug anxiety flare-ups that made every day from the onset of the season to just after the New Year not just emotionally or spiritually grueling, but physically as well. This was hell.
This time of year had always been special for the both of them. Together they shared and understood the deep romance within the alternating scents of fresh fallen and burning leaves. Together they reveled in the cool and gray cloudy days that seemed to loom ominously from mid-October on. And together they ran Richter’s Orchard, essentially a three acre lot filled with apple trees and pumpkin patches. Located just behind their house, the establishment did incredibly well, their name becoming fairly known in the Dolton area for their fresh baked apple and pumpkin pies, their kindness, and most notably for their lavish and fun Halloween displays.
Every year they carved whatever pumpkins they didn’t sell into fun and creepy faces, lit them, and placed them in large and well organized mounds on either side of their front porch. Their large round faces burned bright with the love and peaceful tenderness the Richter’s shared for each other, and the season, drawing people from miles around. The soft orange flickering light would reflect iridescently off the smiling faces of trick-or-treaters and their chaperones. Hanging (on unseen pulleys) just on the inside of the jack-o’-mounds were silly sheet ghosts, cast in both the lights of the jack-o’-mounds and the eerie blue and red lights that illuminated the inside front porch. Old Man Richter would hide up there in the shadows, pulling on the strings so the ghosts would seem to float down at the trick-or-treaters, sending them into gales of uproarious sugar-rush laughter. Arazella would slither out from the eerie lights, dressed as a creepy witch, her lips covered in black glitter lipstick. She would disperse fresh cakes of apple and pumpkin, homemade candy corn, caramel apples, marshmallow treats, and small cups of fresh hot cider from the boiling cauldron kettle that toiled and troubled beside her. Everything smelled of cinnamon and brown sugar, of apple and pumpkin and maple and molasses. Funny thing about Arazella’s Halloween witch shtick was that she was, in fact, a witch . . .  a healer and lover of all things nature and beauty. A nurturer and, when need be, a punisher. She was Richter’s Goddess and soul mate and reason for living.
Old man Richter felt truly lost without Arazella by his side. After the cancer had taken her he sunk into a deep, horrid depression from which he never fully recovered. It had worn on him hard to watch her body wither away, to be consumed from the inside out by this tumorous monstrosity. Every part of her seemed to just fade away a bit more every day . . . every part of her, that is, but her shining spirit.
He spent those long and cold winter months after her passing, that brutal holiday season, consuming whiskey and Arazella’s left over pain medications. He did anything he could to not have to face head-on the unbearable heartache and quaking loneliness that raged so deep within him. He would spend long nights in the bitter cold, not even feeling it due to the narco-numb, with his arms wrapped around her memorial stone, his face pressed against the cold and smooth polished marble surface, crying deep and heavy sobs into the early daylight hours and longing merely for a kiss on his cheek. He even contemplated suicide, but had thought better of it, feeling Arazella’s preternatural disapproval of the idea in every molecule of the air he breathed in.
            Come spring he snapped out of it a bit, fighting through the bitterness to keep the intense misery at bay. He scattered her ashes on the ground of the pumpkin patch, as she had requested, just before he had tilled it over and planted. It was incredibly difficult to do alone, as he was in his mid-sixties. But he was bound and determined to put up some form of pumpkin mounds outside his house, to appease both Arazella’s spirit and the children, which they could never have. Arazella had been barren in life, a large part of the reason why that holiday in particular had meant so much to them (beyond their spiritual leanings of course). It was the eternal essence of releasing the inner child. A night you could be yourself with absolutely no judgments from the world around you.
            Arazella wanted her ashes in the pumpkin patch in order to fertilize the ground, to create little lives that would bring nothing but happiness and joy to others, which it pained her so not to be able to achieve on this plane. It was a beautiful sentiment of positive energy in the face of truly, deeply mixed emotions. That was why Old Man Richter had loved her so.
Into the hot summer months, Richter had hired James, a slovenly, alcoholic wretch of spoiled, seventeen year old snot. There was no way the Old Man could do all that labor by himself, and this kid worked cheap. He was a necessity. Things started off sketchily immediately, the boy always intoxicated on cheap pilfered liquor or huffed gasoline and paint fumes, being lazy and lethargic and argumentative and, worst of all, clumsy, all over Richter’s growing grounds. There was backtalk, smart assing and sass. The Old Man didn’t have the patience of his wife (who would have merely just turned his own words against him), and was quick to temper at the boy, albeit justifiably so.
But Richter needed the help, with the harvest just around the corner. So he tolerated James the best he could. Until one late August day he caught the boy in the house, with his girlfriend Janice. They were in Richter’s bedroom, pocketing money and coin, Arazella’s jewelry, and even the Old Man’s stash of cannabis he kept around for sleep and relaxation. “Quick, hide the stash, it’s Old Man Richter!” James yelped as Richter caught them.
Worst of all in this utmost betrayal of an already loose and necessitated trust, the bed, which stilled smelled of Arazella, had obviously been used for their own lusts. A conspicuous slimy wetness was soaking into the mattress, on Arazella’s side of the bed . . . the spot where she died. He lashed out at the boy, James emptying everything from his pockets except the stash, which he threatened to tell people that Richter had sold him. Richter came at the boy and his skuzzy girlfriend, chasing them out of his house. Richter ran out to the porch with his fist raised, bellowing “Get offa my lawn!” at the top of his lungs, straining his throat. James threatened to come back and trash everything, and the two ran off down the driveway parking lot. Richter merely went back in the house, began to clean up the wet spot, and wept.
            By October 30th, Richter had managed to do almost everything himself. He harvested and sold his pumpkins and apples, and even carved what was left. The faces no longer had the same chipper creepiness but wore long, saddened expressions, resembling forsaken ghouls lost forever in the lonely cold of an eternal midnight. Their inner glow no longer seemed as bright, and the ghosts that hung on either side looked merely like hung sheets with black-marker eyes. They would not be flying this year, merely swaying in the cool breeze. He did manage to build the mounds. Standing back to check his work, he noticed it all seemed so very lifeless, so empty. Arazella had said, before she passed, that her spirit would always be there, in their “pumpkin children”, in the love of this season and all others, but he had yet to feel it. So he went into the house and watched classic scary movies until he fell asleep.
At roughly 3 a.m., Richter was awoken by several loud thudding sounds. He sat up on the couch, remaining silent and listened closely, acutely. At the loud shatter of breaking glass he jumped up and ran outside, throwing the porch lights on. There were James and Janice, smashing jack o’lanterns and beer bottles all over Arazella’s memorial stone. In fact, it even looked like the boy was zipping up his jeans, having urinated on the now filth encrusted memoriam. With the bright of the porch lights turning on, the two began to skitter away into the darkness. In a fit of sheer rage Richter grabbed a small and uncarved decorative pumpkin and tossed it full force at the little destructive bastard as he fled.
The pumpkin nailed James square in the back of the head, exploding it’s guts all over the kid and sending him into a full on face plant. Janice stopped running and began laughing and pointing at her fallen comrade, proving there is no honor among thieves. James stood up and gave the Old Man a burning stare down, his nose bleeding, pumpkin gore drizzling down his salty face. He pointed, growling out “Tonight, Old Man Richter, just you wait. You’re done.” The two then sauntered off into the night.
Richter went and surveyed the damage to the memorial stone. It was covered in smashed jack- o’-lantern and broken glass, urine and dirt. The feeling within him was no longer one of depression or anxiety or sadness, but one of violation, intrusion, and rage. He spent hours cleaning the stone back to shining perfection, cleaning out every groove of every engraved letter. He went back into the house and laid back down on the couch, his mind performing a slow burn and his muscles tense with the need for retribution. But he knew better, this kid was true trouble. He swallowed it all the best he could, and tried to get lost in some long stashed pain pills, a few shots of whiskey, and The Creature From The Black Lagoon on the t.v. The old man was just tired, had no more tears to shed.
Halloween night finally came around. Richter was exhausted, his mind a buzzing hive of simmering anger and too many thoughts. He played nice for the families, lighting his depressive jack-o’-mounds and leaving out baskets of prepackaged candies for the children to have at. There were no cakes or marshmallow treats, donuts or candy apples or hot cauldron cider. There was no longer a sweetly sinister witch with black glitter lips to feed the little ghosties and devils and ghouls and princesses that wandered the long and beautiful full moon night. There were dancing ghosts. There were only still sheets and piles of sad glowing faces and fun size Snickers.
By 9 p.m. it seemed that the trick or treating festivities had come to an end. Richter was inside the house, drinking a bit, smoking up, and doing what he could to cope with his first holiday alone since the late 1960’s. He was watching John Carpenter’s Prince Of Darkness, the only light coming from his flickering television . . . and waiting.
It wasn’t long before he could hear footsteps outside in the gravel of his driveway, rustling through the leaves. Footsteps creeping up slowly, slyly onto his porch. He could hear the whispering voices of two teenagers fucking with the wrong Old Man.
THUD! Something large and wet had slammed his outside screen door. He got up and silently marched over to the door and opened it. He could see and smell the shit sliming its way down the glass. He could also see the burning bag of doodie right there on the porch. With a quick panic reaction he threw the door open and began to stomp on the flaming bag of stinking human waste. He was stomping with such fury that he threw out his back, and with a bellow slipped and fell, smacking his head on the floorboards. He couldn’t move, felt paralyzed with pain all through his body. “MY BACK!” he managed to bark out involuntarily.
“Ha! Old fool. We’re gonna fuck this shit shack up, you old prick!” James bellowed. He and his girl began to whack Arazella’s memorial stone with twenty pound sledgehammers, large chunks of the fine marble exploding every which way with each loud ping of a contact point.
Richter could only lay there, incapacitated, watching and too immobile to make it stop. His head was beginning to feel woozy, and he wasn’t quite sure what it was that was happening right before he completely lost consciousness. It was, however, one of the most odd things his eyes had ever bore witness too.
James and Janice were completely involved in the total destruction of the stone, when Janice noticed a bright orange glow, increasing in intensity, reflecting off the chipped rock.
“James?”
“What!”
“The jack-o’-lanterns are all facing us. They weren’t doing that before.” James noticed she was no longer beating on the memorial stone.
“C’mon, hurry up! The old man’s out cold and we ain’t got all night!”
“JAMES!”
He finally turned and saw that the jack-o’-mounds were indeed facing them. “So what, probably one his stupid infantile Halloween gimmicks.”
“I think we should stop . . .” Her voice wavered like th terrified little girl she really was.
James dropped his sledge with annoyance. “Will you stop? They’re just pumpkins!” He walked over and grabbed the nearest one, thrusting his hand into its carved sad mouth. He picked it up and said “Look!” as he obnoxiously waved it in Janice’s face. As he reeled his arm back to hurl it, he noticed the expression on the face of the jack-o’-lantern twist into a horrific grimace, a kind of mean he had never seen before. Its mouth snarled up like that of an enraged wolf, and it bit down on the son of a bitch’s right hand. He shrieked a wordless sound and ran in a circle, trying in vain to get the clamped gourd off.  
The jack-o’-lantern only came off when James’ hand did.
Janice looked to the mounds and they were all rolling off of each other, rolling toward them. Their faces were grimaced and mocking, just as the first biter’s had been. She was frozen in place with stark and paramount terror as they approached her.
James merely fell to his knees, clutching his bloody stump.
The jack-o’-lanterns surrounded them, creating a small circular wall around the two as they froze, both in different states of shock but shock nonetheless. Jack did not see the two sheet-ghosts slowly dislodge themselves from the front porch, but Janice did. As they started to float over, their faces also became something more than two marker eyes on white sheet. These sheets were now alive and their visages had become that of tortured souls looking to share the wealth, part hateful smile and part vengeful snarl. Janice’s flight response finally kicked in and she tried to run and jump over the rolling, ever so closely encircling wall of carved demon pumpkins.
With a sudden and unexpected rapid-fire machine gun burst, the pumpkins all began to spit flaming hot seeds into the eyes of Janice and James. Janice brought her hands to her face with a howl and also now fell to her knees. “I’m sorry, I’m so sorry,” she whimpered from behind her hands.
As for James, the extreme trauma of losing his hand (and his loss of blood from the dismemberment) seemed to cancel out all other stimuli in his new little world of agony.
Neither one of them noticed the sheets drop slightly over the jack-o’-lanterns glowing mouths, and neither one noticed that the floating ghost sheets had caught fire until each sheet draped over the two of them. James merely curled into a silent shivering ball, while Janice began to do a dance of seared suffering beneath the flaming sheet. The jack-o’-lantern wall edged even closer, the angry gourds rolling on top of one another like some kind of strange orange vegetable igloo. Then darkness . . . silence.
When Old Man Richter had finally awoken, the first rays of light were beginning to show in the sky. He sat up, almost no pain present in his back. Still a little woozy, he shook his head out, trying to recall what the hell had happened. The boy, he remembered, and that awful girl. Arazella’s stone.
He walked over to the stone and saw on the ground two sledgehammers right next to his two ghost sheets that for some inexplicable reason (to his mind) were no longer on the porch. They appeared to be a little singed on the edges, and they were covered in a strange black glitter. He then noticed the pumpkin mounds, and they seemed to have been moved. Also, their faces were different. They no longer wore the moribund frowns of lonely soullessness, but instead seemed to be filled with life. They were now smiling. And they each also had a light coating of black glitter around the tops.
Dick Richter went over to his wife’s stone, amazed and even elated to see not a single scratch in it. The smooth marble was so polished in fact that he could clearly see his reflection in the light of the early morning. He looked into his perfect reflection closely, and noticed on his right cheek a large black glitter lipstick kiss. Tears began to stream from his eyes, and he watched the jack-o’-lantern children roll up around his legs, smiling their silly cheerful grins at him. Seed tears of seed and pulped sluiced from their joyous, shining eyes.
The pain was leaving, that constant tug of loneliness and misery was lifting like a wedding veil between two worlds. His body was not aching, his mind not racing. Arazella had always been with him. He looked back to the stone and noticed, written in the same black glitter that kissy-smudged his cheek, Arazella’s words of sweetness and truth and eternity: SEE YOU NEXT YEAR, MY LOVE XOXOXO.



           
           
           

Tuesday, October 23, 2012

REVIEW: THE BATHAUS and NECROMANTIK SUNSHINE

Saturday, October 20th, 2012

The crisp autumnal dusk fell quickly as I stood outside my awful building in Upper Darby, dodging dustheads and crackwhores whilst awaiting my ride. After a long couple of weeks involving far too much stress (and sobriety), I desperately needed to get out. I was thankful there was somewhere to escape, especially this particular evening. I was to be going to Philly's one and only deathrock night Batastrophe, being held at the newer venue the BATHAUS, located at 746 S. 8th Street. I was indeed looking forward to seeing Philly electro-deathrock legends NECROMANTIK SUNSHINE perform what was rumored to be their "final performance" (a sad thought, as they've been around a long time -- since 1998, and are the only band in the city to have ever really sounded the way the do).

Eventually my ride (DJ Sir-Ryg and artist Patricia Piccolo) showed, with the evenings guest DJ Jeffrey Bats (out from the equally -- if a bit differently -- hellish Dayton, Ohio) in tow. We arrived a bit early, and decided to wander as the freakish troublemakers we are around the nearby South Street area, giving Mr. Bats the not-so-grand tour. Come 9pm, we headed back over to the club for the festivities to begin.

John Savia (aka DJ Anorexotica) has done a fantastic job turning the long unused upstairs of Mama Yolanda's into the classy, deathly BATHAUS. It is kind of the successor to Black Saturdays at Yolana's (which I had gone to a couple of times but never particularly enjoyed, as the place was overrun with several problems, and usually the music was just lame -- too much industrial/ebm for my jaded audial pallate). He has put an immense amount of work, time, and money into the tranformation, creating an inviting and comfortable deathrock dancehall, utilizing the run down interior to his decorative benefit, while adding the expected "goth night" trappings: skulls and electro-candles, the occasional spatterings of odd artwork, some interesting mechanized laser lights, a wonderful red-velvet couch, Addams Family-style wall paper, and of course the most important aspect, a chest-throbbing sound system. Cover for the BATHAUS is an affordable $5. And with an incredibly friendly and attentive bar tending staff, the price is right there too, with strong drinks that never seem to exceed $4 a pop, it can't be beat.

Jeffrey Bats spun a wondrous variety of classic Batcave goth, L.A. Deathrock, old punk, with a heaping of newer acts thrown into the mix. I believe he spun most of the night, playing everything from Sex Gang Children to Samhain to Ciril, The Wake, Danse Society, Screams For Tina, Carcrash Int'l . . . I could go on and on.

Come 11 pm, NECROMANTIK SUNSHINE took the "stage", as it were, with all three members donned in perfectly ghoulish deathpaint (supplied by local visual and make-up artist Kate Wylde). Visually they had a very classic Lords Of The New Church-type appearance, that of confident swaggering gothpunks you wouldn't want to fukk with in a dark alley on the best of nights. Brian Bordello (vox, guitar), Adian Cane (guitar, programming, backing vox) and Midnight (bass) lurked about the dancefloor, drenched in glorious whorehouse-red lighting, performing both classic and newer material. On a screen behind them ran a constant stream of varied footage from classic black and white horror films, a slight yet potent finishing touch to their interesting visual aesthetic.

The performance got off to a bit of a rough start with some programming guffaws and a mic-feedback sound issue. Roughly a quarter of the way through their set, however, once that was all fixed, the rest of the performance was a powerhouse. The setlist went as follows:

Condolences
Penetration Time (a ripping new song)
X Rated
Necromantik Sunshine
Suicide
Pink
Cold
Lonely
Nevermind The Living
Rewire
Possession

I found out after the gig, while talking to members Brian Bordello (who was running around begging to -- and succeeding in --  sign(ing) womens breasts) and Adian Cane, that this is NOT their last performance and that they are NOT breaking up, but merely going on a bit of hiatus in order to work on some personal projects, get their lives together, and eventually re-record their new album. Brian told me that they had the album recorded once already, but ended up losing it to a series of misfortunate events. Their first cd is still available, however, and I highly recommend  picking it up (SEE THE LINKS BELOW).

The rest of the night went off without a hitch. Drinking, dancing (though I'm really more of a watcher), and foul gallows humor permeated the atmoshphere.

Afterwards, a large collective of us ghouls went to the South Street Diner and caused benign mayhem there until about 5am, when we dropped Jeff Bats at the Greyhound terminal and all went our exhausted and merry ways. All in all it was a great night, with some terrific music, an intense live performance by some fun and cocky local "legends". . . and most importantly, good people. With a mere 10 days to Halloween, and the fact it was Bela Lugosi's birthday, this was the perfect way to spend the night.

If you live in the area (or are just passing through), stop by the BATHAUS, located at 746 S. 8th Street in Philadelphia, PA. Open every Saturday from 9pm-2am: http://www.facebook.com/#!/pages/The-Bathaus/455918491093549?fref=ts

And check out NECROMANTIK SUNSHINE. Their debut cd is still available for $10, from their main site:








Wednesday, October 17, 2012

HALLOWEEN 3: THE SEASON NOT TO BITCH

Hello one and all.

It is finally that magick time of year: HALLOWEEN! Cider, Ginger Snaps, Candy Corn, and razor blade filled Caramel Apples. Cool crisp air, beautiful foliage, early dusks and long nights that are great for cuddling. And what better to do on those chilly autumnal evenings when wrapped in a blanket on the couch with your favorite wombat or wallabe (or inflatable love device -- I don't judge) than watch a fun holiday themed film? I mean, that's really what it's all about, right?

But what to watch?

Over the next two weeks leading up to our favorite day of the year I will be randomly posting about films (and music) that I personally love during this most splendid season. Some of these films may not be directly related to Halloween, but they are things I associate with the Season Of the Dead. Everyone and their mother is currently writing about their best or worst picks for the season, so I figured why the hell not? Well, here's my two cents. Take it or leave it.

(AND IF YOU ARE ALL GOOD LITTLE MONSTERS I WILL PUBLISH A SPECIAL, FREE LITERARY TREAT ON HALLOWEEN DAY.)

My first pick is going to be the much (unfairly) maligned HALLOWEEN 3: SEASON OF THE WITCH, which may actually be my favorite film in the Halloween Series (of which I am NOT a fan).

Let me start by saying this: I LOATHE FRANCHISES. Often a great idea or film or book is completely ruined by unnecessary sequel after sequel. The Halloween Franchise is no different. I'm not going to waste time with a bunch of synopsis' and plot points and the like. Chances are if you're reading this you are a horror fan to some capacity and familiar with the series. Ok, well, there may be a brief synopsis.

HALLOWEEN 3: SEASON OF THE WITCH is the third installment (duh) in the franchise. It was executive produced by John Carpenter and Debra Hill, under the condition the film had NO MICHAEL MEYERS. And why is that? Carpenter had the good sense to not beat a dead horse. Michael Myers was really a one film concept (really, Halloween 2 stinks). His original Halloween is a tight, grippingly tense film that captures the spirit of the holiday in fine form. It is a classic, hands down. That cannot be argued. However, Carpenter wanted the series to become something different, a new story for each new installment. An anthology, if you will. Personally I love that idea (something copped most recently by American Horror Story, which is running a whole new and unrelated plot line every season apparently).

Anyway, it was written by Nigel Kneale (creator of the british 60's QUATERMASS series, which Carpenter later based his excellent Prince Of Darkness film upon -- more on that one in another post), and directed by Tommy Lee Wallace (Fright Night 2). It is one of the more original horror films I've seen. It is essentially about a sick plan devised by an old male witch to ritually kill hundreds of thousands of children on Halloween night with his odd line of Silver Shamrock masks. Each mask contains a microchip fashioned from bits of Stonehenge. When the kids wearing the masks watch a "surprise giveaway" at 9pm that special night, a signal will be transmitted that will cause the wearers of the masks heads to explode with a horrific variety of poisonous insects and reptiles (including some not so menacing crickets), killing the children (and henceforth attacking and killing anyone in the vicinity) as the sacrificial offering to Samhain.

(A BIT O TRIVIA: A replica of the Don Post-created witch mask was worn by one of the Pawn shop robbers in the brilliant HOBO WITH A SHOTGUN). This tv trailer scared the piss outta me when I was a wee one: http://www.youtube.com/watch?v=ZXWSiVxS4hk&feature=related

It's pretty hackneyed, yes, but so much fun, and such a bizarre film. There are androids, laser beams, the exploding heads of children (always a good thing), and whole host of other oddities that go down, only for Tom "Thrill Me" Atkins to jump to and try to save the day in all his moustached glory. And of course that Silver Shamrock song, maddeningly chanting "Eight more days til Halloween" over and over in monotonous, seizure inducing repitions (accompanied by a seizure-strobe flash as well). It's a simple good time.

Of course, most fans of the first two films loathed this entry, and to this day whine incessantly that there is "no Michael Myers". Yeah, boo-fukkin-hoo. This is not a "great film". It's muddled and confused and all over the place. There were numerous production problems. Nigel Kneale was furious that a good portion of his script was changed by the production company (Di Laurentiis wanted more gore and violence). It doesn't really make a hell of a lot of sense, at all, at any point, though it does feature a heaping helping of whacked out imagery and, again, some wholly unique ideas. Oh, and bugs.

But what chaps my ass is the braindead franchise fans, who apparently have no issue with entries 4 through whatever that create this ridiculous, dull storyline that makes even less sense than this particular entry, following the exploits of a boring silent serial killer in a silly William Shatner mask that possesses no personality whatsoever (much like the real Shatner), and mutitudes of flat, bland characters that are impossible to care about. They are sad and pointless slasher films containing not one iota of originality, based around half-assed kill scenes (which were mostly deleted from the final cuts anyway).

Eh, enough bitching. In short, for a fun cuddle-time Halloween trip at the brain, you just can't really go wrong with HALLOWEEN 3: SEASON OF THE WITCH. It's light, weird, captures the season, and doesn't require too many brain cells. Grab some poisoned candy, and a loved one, and enjoy!

"So all you lucky kids with Silver Shamrock masks . . . put on your masks . . . gather round your t.v. sets . . . and WATCH THE MAGIC PUMPKIN . . . "

http://www.youtube.com/watch?v=qTAc5HBFpHU&feature=related



Thursday, September 27, 2012

BACK FROM THE DEAD: Excuses, links, and more

Greetings all.

Well, it's been a long and very bizarre year it has, and quite a while since my last post. This time round I am including links to all my available work (something I should have done from the get go, though "organization" per se has never been one of my strong suits).

Before I get to that though, some recent developements, and an explanation (or set of excuses, take your pick) for my 7 month delay in posts.

Firstly, I lost one of my closest friends, my "little brother," Kenneth "Kroosaficks" Duffy in late February. He was also an amazing and talented artist (he won the poster art contest for the Philly Cancer Walk, just days after his passing), a contributor to Grave Demand Magazine, and the genius behind our band YOUTH OF 1945. This was a soul crushing experience that I feel every day, am not over, and may never get over. Much has been written on this, as that Magnificient Bastard was loved by many, and he is missed more than any words could ever properly articulate. That began a temporary downward spiral of depression and a couple months of questionable coping behaviors on my part. It also briefly dead-zoned my process. If Kenny were here to hear this, he would mock me incessantly til I got motivated. In fact, I'm not so sure he doesn't mock me from beyond the grave. I am also fairly certain he watches me masterbate. R.I.P. Kenneth, you are still loved and missed every day.

Wait, did someone mention GRAVE DEMAND MAGAZINE? In fact I did yes! Onto that. GRAVE DEMAND is still in existence, and though delayed a bit, the second issue is in the works. The hold-up has been not merely due to Kenneth's passing, but some other issues as well. In particular, a falling out with a former contributor who will remain nameless. Several severe (and quite infantile) problems were caused for myself and co-founder Mr. Adam Andrews, to the point that he briefly backed out (and the funding and tech support went with it). Other GD contributors were harrassed online, who had nothing to do with said situation. As was I, personally, incessantly, MERE DAYS AFTER THE PASSING OF KENNETH. Not cool, and bad timing. I could go on, but I will not dwell on such frivolities. I learned many a lesson from this, and will be damn careful from here on out. Live and learn, and in the long run, no harm done. I wish this person well in all their future endeavors. That said, as stated above, GD #2 is in the works, slightly reformulated and coming back strong. The next issue will go straight for the throat and take no prisoners, featuring the work of Bracken McLeod, Jason Reinhardt, Shaun Lawton and more. Plus there will be a new recipe by Eddie Petro in his column The Skinhead Gourmet. Check out the Skinhead Gourmet's video series here (where he makes excellent entrees and delectable dishes NOT from human flesh) http://skinheadgourmet.blogspot.com/

To continue onward now. There have been other personal issues at play, including the resurgence of my occasionally severe depression and anxiety. It cna be, some days, crippling, to say the least. Also some financial bothers, an unexpected move back into the city of Philadelphia, yackety schmackety blahblahblah. Most of it's back there and not here, though. The only place to move is forward.

I have in the interim, however, been published several more times, most notably in the upcoming 3rd issue of Nameless Magazine (http://namelessmag.jasunni.com/), a fine publication put out by Jason and Sunni Brock, and just about the best thing weird and edgy original fiction has to offer right now. I am thrilled to near death to be involved with Nameless. The title of my tale to be appearing there is CORPSEX: A METHOD OF LOVE. I will have more info once it is released.

I have also had work appear in Shaun Lawton's always wonderful FREEZINE Of Fantasy And Science Fiction  http://freezineoffantasyandsciencefiction.blogspot.com/  (Night Song Of The Fungi), the Hydra M. Star's new (and excellent) extreme fiction Infernal Ink Magazine (http://hydramstar.com/Infernal_Ink.html) (Long Night Of The Komodo, and it's related tale $30/30 Minutes), and a piece in the Suzanne Robb edited nonfiction Living With Anxiety: True Stories Of Survival (Hidden Thoughts Press) (http://hiddenthoughtspress.com/ ), which I hope is a help to anyone who has suffered the wrench-in-the-works real life horrors of depression/anxiety. Links can be found with the others below.   

Otherwise, I have jsut been looking for some kind of paying part time work (as I live incredibly hand to mouth as of late), and writing/editing/brainstorming. And trying like hell to keep my own anxiety and demons at bay and just push forward. I feel the mojo coming back strong.

Also, on a final note, visual and make up artist Katherine Lucente (aka Kate Wylde) has been rendering incredible paintings and artwork based on several of my tales of woe and dysfunction. Anyone in need of unique and professional book covers, artwork, or film and video make up should contact Miss Wylde pronto. Her rates are affordable, her work top notch. She works very closely with her clientele to make sure that you get exactly what it is you are looking for. Her work can be viewed at  http://www.facebook.com/KateWyldeProductions?ref=ts and she can be reached at her email katherinelucente@gmail.com

That said, to anyone who has read this (or the 9 people following my blog), or who has read my work, thank you so very much for the support.

STAY SICK

Vince D.

LINKS TO MY WORK:

THE FREEZINE OF FANTASY AND SCIENCE FICTION (always FREE):

Night Song Of The Fungi http://freezineoffantasyandsciencefiction.blogspot.com/2012/04/night-song-of-fungi.html

Level 5 http://freezineoffantasyandsciencefiction.blogspot.com/2011/03/level-5.html

A Notion Conceived http://freezineoffantasyandsciencefiction.blogspot.com/2010/01/notion-conceived.html

Trap http://freezineoffantasyandsciencefiction.blogspot.com/2011/07/trap.html

Waiting For The End (serialized novella) http://extremezine.blogspot.com/2010/03/waiting-for-end-2.html?zx=30d32a3ff2762206

OTHER PIECES FOR FREE:

Strange Black Cats (poem) (Hazard Cat Magazine) http://hazardcat.blogspot.com/2010/10/strange-black-cats-by-vincent-daemon.html

Creaky Floors (poem) (Spook City Magazine - RIP) http://spookcity.blogspot.com/2011/08/creaky-floors.html?zx=d102a708d3a907ec

I The Carrion (poem)  (Screams Of Terror Magazine) http://www.screams-of-terror.com/site/index.php?option=com_content&view=article&id=286:i-the-carrion&catid=184:vincent-deantoniis&Itemid=56

A Ballad For roy Dodds (Grave Demand Magazine) http://www.gravedemand.com/2011/10/special-ballad-for-roy-dodds-by-vincent.html

Last Stop At The Automaton Oil Transparency Center -- Appeared in the 2010 limited run magazine SUBSTANCE. It was print only and folded after the first issue.

WELL WORTH THE PRICE OF ADMISSION:

Long Night Of The Komodo (Infernal Ink Magazine) http://www.amazon.com/Infernal-Magazine-issue-April-ebook/dp/B007T3NIGE/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1337105779&sr=1-1

$30/30 Minutes (Infernal Ink Magazine) http://www.amazon.com/Infernal-Magazine-issue-April-ebook/dp/B007T3NIGE/ref=sr_1_1?s=digital-text&ie=UTF8&qid=1337105779&sr=1-1

Invocation To Death's Black Kiss (Heavy Meat Horror anthology, Rymfire eBooks)http://www.amazon.com/Heavy-Metal-Horror-ebook/dp/B0030ZRLT0/ref=sr_1_1?s=books&ie=UTF8&qid=1337104773&sr=1-1

A Final Death for The Dead? (Through The Eyes Of The Undead anthology, Library Of The Living Dead Press) http://www.amazon.com/Through-Eyes-Undead-Zombie-Anthology/dp/1452855897/ref=sr_1_cc_1?s=aps&ie=UTF8&qid=1337104250&sr=1-1-catcorr

A Hamster On The Wheel Of The Mind (non-fiction) (Living With Anxiety: True Stories Of Survival anthology) http://www.amazon.com/Anxiety-Disorders-True-Stories-Survival/dp/0615630715/ref=sr_1_1?s=books&ie=UTF8&qid=1337104561&sr=1-1#_

Elegy: The Death Of Sensuality In Smut (non-fiction) Grave Demand Magazine http://www.gravedemand.com/













Monday, February 13, 2012

On The Wrong Side Of The Coffin -or- "It's Hard To Keep The Faith"

I awake some days in the most atrocious of moods, often after long nights of being trapped within my own mind for hours, perhaps days on end. I open my eyes, and my first thought is "Goddamnit, I'm awake." Before I'm even out of bed, I feel such pangs of loathing and depression that I feel trapped, like there is no escape.

It's hard to see a light at the end of the tunnel. Which tunnel? Every fucking one.

Motivation quickly becomes irritation . . . I talk myself out of doing what needs to be done, my own thought process feeling as though not mine. It's like being trapped in a cul-de-sac of increasingly negative thought. Do I want to feel this way? No. Do I need to feel this way? No. Is any of what my wretched mind telling me even the least bit true? No.

But yet it happens.

This detest, this anger, at past demons and future ghosts, never seems to subside, not fully. It's a constant battle of conflicting wills, as I feel everything out. Now, what is everything? Well, everything. It's hard not to let the muddy murk of the past infiltrate through and into the now, a constant, incessant battle at times.

And it's a battle in which there is no winner, just a stalemate of H-bomb proportions -- a Tsar Bomba of the mind and soul. Angry days, spent mostly alone, and dreadful nights spent the same. It feels that no matter how hard I push, how hard I try, I can't shake these invisible hands that want to pull me into the mud, drown me in filth, these invisible hands that rise and rage from the furthest pitch black dissonances of cognitive thought.

Why do I continue to do this to myself? Is it the chronic poverty? Is it my dislike of the world we live in, and most of the people in it? Impatience? Lack of faith in myself?

Perhaps it's all of the above. It all alternately pushes me forward and holds me back. Inertia and gravity toiling against each other in the most warped kind of overdrive. I alternately feel so much love, and so much hate. It feels like there is no release valve, that it all just sort of builds up until I become a useless and viciously self-depricating sloth.

It's hard to keep the faith, to fumble through such dark and dreadful places, knowing that they are ideas that I myself have created and fed.

It feels like no matter how hard I try, nothing ever really seems to work out.

Of course, realistically, this is not the truth. Plenty works out, but I am so blinded by my own acidic bullshit sometimes I fail to see it, and worse yet fail to see the bigger picture. Really, a lot of it does come down to patience, and the lack thereof.

Someone quite dear to me told me this morning that essentially this is all foolishness, these awful thoughts and quasi self-saboteurism. As have others close to me over the past couple of weeks, as they have watched me slide into this uncomfortable cocoon of self-loathing and teetering on really just not giving a fuck, about almost everything. What will that gain, in any fashion? Naught. Nothing. More anger, more loathing, more all around unpleasantness which, quite frankly, I am fed up with.

Perhaps this is a personal Declaration of War. The faith must be kept for the sake of my own sanity. On many levels, and in many different ways.

Transition is a bitch, and often feels as though there is never any kind of plateau, just severe ups and downs. Statistically impossible.

Hope can be a hard thing to grasp at times, but loss of hope is essentially an existential death sentence. Keeping the faith is sometimes all a person has. It is something I have, and cannot let myself lose.

As a very wise man named Lemmy once sang: "Save yourself and kill the world."

http://www.youtube.com/watch?v=9c-z2im9sPE

Thank you for reading.

Sunday, January 29, 2012

Walking This Waking World

Most people walk this waking world in blind ambivalence toward all things, chained to deeply embedded programs and patterns instilled from birth (perhaps even before) and ever onward to the grave. No appreciation for either life or death, they fumble through a staid existence of self-delusion, ego-centricity, and easily accepted doldrums and routine. An easier road, to be sure. Living to be told what to do, how to love, where to spend their filthy money. No chances taken, very little experience to be had. They sink into depression, deceive themselves into believing it to be "happiness". They deny the "soul" and march march march to climb ladders of social constructs without ever being aware (or ever even wanting) more, without ever wanting or even feeling the need to wake up, understand, or truly grow in the most basic sense of the word. Playing it safe, staying in the well lit neighborhoods of the mind, and pretending that somewhere in those darkest and most ignored regions of the psyche that there is no killer waiting in the shadows, no creatures of night just beyond the vision of the minds eye. They learn life from books and movies, parading a faux-intelligencia of judgement and holier than thou superiority without really the slightest idea or bloody painful true life experience. They believe monsters do not exist, take metaphor for literal meaning, and play every move they make in paramount safety of being.

Then there are those who know better, who have seen the daarkest regions of the soul of man, of self. They know all too well what lurks just out of view, and that monsters really do exist. Those who process suffering into strength, and questions into answers, yet are wise enough to know that answers only lead to more questions. That life is not about jobs and security, money and racing to see who is really on top, but truly living in rare moments of total beauty and complete ugliness, and finally having a deep and profound respect for both, as well as the so very thin line that separates the two. Life and death, genius and madness, beauty and atrocity . . . not a single one of those things can be had without the other.

Sometimes there really is no grey area, only black and white. Of course, no one thing is ever so completely cut and dried as such, and not all humans have the constitution or capacity, the will, desire, drive, or even care to try and see, comprehend, or understand any of this. Some people it kills outright, some it destroys in other ways. And some take the pain and consume it, dissect it, learn it and push their minds and souls ever further to deeper places most would never want to go. They grow, "wake up" a bit as it were. Not all of it has to be negative, and it really is only the fool who translates it exclusively as such. From the depths of deepest darkness can come the most astonishing of lights.

Which side of the line do YOU walk on?

Welcome to the writings of a depraved mind.